Its programme embodies this spirit of encounter. Over four days<\/strong>, designers, press, opinion leaders and community meet in a space that challenges disciplinary boundaries and presents a wide array of proposals \u2014 from artisanal preservation to technological experimentation, from industrial sustainability to aesthetic immersion.<\/strong> From 2nd to 5th October,<\/strong> FASHION HOUSE<\/strong> hosts two distinct dynamics: a schedule<\/strong> of fashion presentations, talks and workshops (some exclusive to invited guests, others open to the public), and an exhibition<\/strong>, free admission, which encapsulates various dimensions of fashion within the Palacete Gomes Freire, through artistic installations and showcases.<\/p>\n On display is Colcha das Palmas<\/em> by B\u00c9HEN, highlighting the precision of Azorean craftsmanship and its contemporary reimagining; Constan\u00e7a Entrudo revisits her archive, amplified on a monumental scale, with All That is Solid Melts Into Air<\/em>; Lu\u00eds Infante, Thayra Correia and Rohme Textiles emphasise the ongoing relevance of artisanal making<\/strong>, while projects such as Smartex, RDD Textiles and Positive Materials demonstrate that innovation<\/strong> in the industry can be transparent, agile, and sustainable.<\/p>\n In the realm of technological research<\/strong>, a collective of students from IED \u2013 Istituto Europeo di Design presents 18K YEARS<\/em>, an immersive installation that materialises the ceaseless digital flow; RetryOn offers a fusion of fashion and augmented reality,<\/strong> questioning identity and the body in the age of technological mediation. Speaking of interaction, Jo\u00e3o Magalh\u00e3es once again subverts the traditional fashion show format by proposing a larger-than-life installation<\/strong>, inviting the audience to actively engage in his exploration of identity and pleasure.<\/p>\n If the exhibition aspect of FASHION HOUSE operates between crafts, design, sustainability and technology<\/strong>, its performative character expands through premieres. To the already announced presentations by Roselyn Silva, Ana Margarida Feij\u00e3o, and Gandaia, we now add Sara Maia, debuting at Lisbon Fashion Week with Nada Aconteceu. E, Ainda Assim, Tudo Mudou<\/em> \u2014 an essay on creative silence and intimate resistance.<\/p>\n The programme also extends into reflections on intimacy.<\/strong> Matilde Viegas exhibits Tecido da Casa<\/em>, a photographic project exploring domesticity as an active practice of belonging. Nat Sly presents The Comfortable Lightness of Being<\/em>, while Giovana Matsuda, through her origami pieces and an open workshop, introduces the materiality of paper as a shared technique. Isa Toledo and Cura by the Sea also explore the pedagogy of making<\/strong> with the workshop Sheets to Shirts<\/em>, transforming hotel sheets into shirts. The dimension of listening is brought to the fore by Michael Gomes in two Sound Healing<\/em> sessions, exploring sound as balance and collective awareness<\/strong>. Meanwhile, the Rosa Cravo<\/em> project promotes a conversation between Kitty Oliveira and Joana Duarte (B\u00c9HEN), fostering dialogue on tradition<\/strong> as a living resource for envisioning futures.<\/p>\n <\/p>\n But FASHION HOUSE<\/strong> is not limited to exhibition and performance. The Lisboa Fashion Week’s shop<\/strong> returns with pieces from ARNDES, B\u00e1rbara Atan\u00e1sio, B\u00c9HEN, Dino Alves, DuarteHajime, Francisca Nabinho, Isza x Sara Valdez, Kolovrat, Lu\u00eds Carvalho, Lu\u00eds Buchinho, Mestre Studio, Nuno Baltazar, Ricardo Andrez, Roselyn Silva, and Valentim Quaresma<\/strong>. In another room, Bazofo & Dentu Zona bring a manual screen-printing atelier<\/strong> from Cova da Moura, inviting the public to take part in the personalisation of their own garments.<\/p>\n As the meeting point<\/strong> of MODALISBOA BASE, FASHION HOUSE<\/strong> embodies the role of Lisboa Fashion Week as an expanded platform for reflection, creation and activation. More than launching a new space, it puts forward a vision: Fashion as a collective practice and site of social experimentation, where authorship, innovation and cultural heritage coexist to project possible futures.<\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” admin_label=”Related News” _builder_version=”4.19.5″ _module_preset=”default” custom_padding=”||||false|false” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ _module_preset=”default” width=”95%” width_tablet=”85%” width_phone=”85%” width_last_edited=”on|tablet” max_width=”2560px” custom_margin=”||25px||false|false” custom_padding=”0px||0px||true|true” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” custom_css_main_element_last_edited=”off|tablet” custom_css_main_element_tablet=”width: 50%!important;” custom_css_main_element_phone=”width: 65%!important;”][et_pb_text _builder_version=”4.27.4″ _module_preset=”af543a65-a510-4d5a-bd0e-f29b21297a1d” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” width=”95%” width_tablet=”85%” width_phone=”85%” width_last_edited=”on|tablet” max_width=”2560px” custom_padding=”0px||0px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][dsm_blog_carousel posts_number=”25″ include_categories=”526″ loop=”off” _builder_version=”4.27.4″ _module_preset=”0e17602a-d383-450f-bb28-cf494f4e420d” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/dsm_blog_carousel][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" FASHION HOUSE establishes itself as a platform for cultural activation, where practices and discourses intersect to inform and question the present of Fashion.<\/p>\n","protected":false},"author":2,"featured_media":174557,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[526],"tags":[313],"class_list":["post-174782","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-base","tag-modalisboa-en","cat_ID-526"],"acf":[],"_links":{"self":[{"href":"https:\/\/modalisboa.pt\/en\/wp-json\/wp\/v2\/posts\/174782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modalisboa.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/modalisboa.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/modalisboa.pt\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/modalisboa.pt\/en\/wp-json\/wp\/v2\/comments?post=174782"}],"version-history":[{"count":3,"href":"https:\/\/modalisboa.pt\/en\/wp-json\/wp\/v2\/posts\/174782\/revisions"}],"predecessor-version":[{"id":182150,"href":"https:\/\/modalisboa.pt\/en\/wp-json\/wp\/v2\/posts\/174782\/revisions\/182150"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/modalisboa.pt\/en\/wp-json\/wp\/v2\/media\/174557"}],"wp:attachment":[{"href":"https:\/\/modalisboa.pt\/en\/wp-json\/wp\/v2\/media?parent=174782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/modalisboa.pt\/en\/wp-json\/wp\/v2\/categories?post=174782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modalisboa.pt\/en\/wp-json\/wp\/v2\/tags?post=174782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/modalisboa.pt\/wp-content\/uploads\/2025\/09\/popup_store-1.jpg\")
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